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BEGINNINGS OF PHOTOPLAY TECHNIQUE
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active energy actually aesthetic alter appears art form artistic Broken Blossoms Cabinet of Dr camera locomotion chapter character cinema cinematograph close close-up colour comedy comparison composite scene Continuity contrast course critics cutback D. W. Griffith depiction detail device distinct dium drama duction effect emotions episodes ERIC ELLIOTT example expression favour film producers film scene hand human ical idea illusion images imaginative Incurrence inset instrumental values Intolerance invention J'Accuse light literary means mechanical medium ment method mind mood moral motion pic motion picture art motion velocity move movement narrative narrator natural object obtain original perspective photographic photoplay phrases of action pictorial composition picturegoer play players position possible practical present realistic recurring reflection screen shot sight simple single scene speaking film spectator spectator's speed stage stereoscopy still-picture story subtitle suggests symbols technique tendency term theatre thought tion tive ture vision visual visualised