Pop Singer-Songwriters: George Michael, Tila Tequila, Meiko, Alfio, Diana King, Bobby Edner, Wynter Gordon, Am, Akiko Kobayashi, Natasha Thomas
General Books LLC, 2010 - 100 pages
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 125. Chapters: American pop singer-songwriters, Dolly Parton, Cyndi Lauper, Christina Aguilera, George Michael, Fiona Apple, Alicia Keys, Gwen Stefani, Lindsay Lohan, Miley Cyrus, Hilary Duff, Katy Perry, Demi Lovato, Corbin Bleu, Pink, Kesha, Jeffree Star, Tila Tequila, Zooey Deschanel, Jesse McCartney, Emily Osment, Lee DeWyze, Fergie, Sara Bareilles, Colbie Caillat, Lesley Gore, Lisa Loeb, Vanessa Carlton, Hayley Williams, Jennette McCurdy, Meiko, Patti Dahlstrom, Alfio, Wynter Gordon, Just Dance 2, Diana King, Bobby Edner, Paula DeAnda, Linn a Handberg Lund, Akiko Kobayashi, Blaire Reinhard, Natasha Thomas, Sarah Solovay, Olivia Olson, Ashley Hamilton, Fawni, Joseph Lee Hooker, Charlotte Caffey, Catalina Yue, Zhang Zhen Hong, Elba Ramalho, Nikki Flores, Ally Kerr, Hany Kauam, Sarah Harrison, Dan Schafer, Jim Ellison. Excerpt: Christina Mar a Aguilera (born December 18, 1980) is an American recording artist and actress. Aguilera first appeared on national television in 1990 as a contestant on the Star Search program, and went on to star in Disney Channel's television series The Mickey Mouse Club from 1993-1994. Aguilera signed to RCA Records after recording "Reflection," the theme song for the animated film Mulan (1998). In 1999, Aguilera came to prominence following her debut album Christina Aguilera, which was a commercial success spawning three number one singles on the Billboard Hot 100-"Genie in a Bottle," "What a Girl Wants," and "Come On Over Baby (All I Want Is You)." Her sophomore and her debut Latin-pop album, Mi Reflejo (2000), a Christmas third studio album, My Kind of Christmas (2000), and several collaborations followed which garnered Aguilera worldwide success, though she was displeased with her lack of input in her music and image. After parting from her management, Aguilera took creative control over her fourt...