From Birdland to Broadway: Scenes from a Jazz Life (Google eBook)

Front Cover
Oxford University Press, 1993 - Music - 504 pages
1 Review
In the 1950s, New York City's Birdland was the center of the world of modern jazz--and a revelation to Bill Crow, a wet-behind-the-ears twenty-two-year-old from Washington State. Located on Broadway between 52nd and 53rd streets, the club named for the incomparable Charlie Bird Parker boasted lifesize photo murals of modern jazzmen like Dizzy Gillespie, Lennie Tristano, and, of course, Bird himself, looming large against jet black walls. Exotic live birds perched in cages behind the bar. The midget master of ceremonies, 3'9 Pee Wee Marquette, dressed in a zoot suit and loud tie, smoked huge cigars and screeched mispronounced introductions into the microphone. And the jazz-struck young Crow would park in the bleachers till 4 am, blissfully enveloped by the heady music of Bird, Bud Powell, Max Roach, and a host of other jazz giants. From Birdland to Broadway is an enthralling insider's account of four decades of a life in jazz. Bill Crow, journeyman bass player, superb storyteller, and author of the successful Jazz Anecdotes, here narrates many moving and delightful tales of the pioneers of modern jazz he played with and was befriended by. We find Dizzy Gillespie, with whom Crow, because of prior commitments, regretfully declined steady work, dancing at the Royal Roost, Stan Getz sadly teetering on the brink of losing himself to drugs, and Harry Belafonte (known then as the Cinderella Gentleman) running a lunch counter in New York's Sheridan Square between music dates. And we also witness many of the highlights of Crow's career, such as in 1955 when the Marian McPartland Trio (with Crow on bass) was named Small Group of the Year by Metronome; Crow playing with the Gerry Mulligan Quartet at venues like Storyville in Boston and Harlem's Apollo Theater (where they appeared with Dinah Washington); and the tour of the Soviet Union with Benny Goodman, a journey that might have been a high point of Crow's travels abroad but was marred by Goodman's legendary mistreatment of his band. Moving beyond jazz clubs to the Broadway concert pit and a variety of studio gigs in the '60s, Crow encounters actors such as Yul Brynner and pop-rock acts like Simon and Garfunkel. From the great to the near-great, from Billie Holiday to Judy Holliday, Bill Crow's wealth of personal anecdotes takes the reader from Birdland, to the Half Note, to the Playboy Club, to the footlights of Broadway. This revealing book is a marvelous portrait of the jazz world, told by someone who's been there.
  

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Transports you back to 52nd Street nexus of Jazz life in the 1950s and 60s, with humor and great stories. Read full review

Contents

Birdland
3
The Big Town
6
Home School and the Army
10
Tacoma Baltimore and Washington
15
Seattle
20
Coast to Coast
26
Charlies
31
Jam Sessions
36
Bird
129
Gerry Mulligan
133
Duke Ellington
138
Garner Monk
144
Pee Wee Russell
149
All Around Town
153
Dave Lambert Last Chorus
159
The Gerry Mulligan Quartet
164

Scuffling
40
Dave Lambert
44
Tupper Lake
49
More Scuffling
55
The Music Goes Round and Around
61
West Tenth Street
67
S S Uruguay
71
Gigging Around
76
Slim Gaillard Stan Getz
80
Pee Wee Marquette
87
Papa Jo
91
Stan the Man
95
Claude Thornhill
99
Gene Quill
104
Terry Gibbs
109
The Marian McPartland Trio
113
Jazz Records
119
Popsie Randolph
122
Vic Dickenson
125
Europe
170
Good Gigs
175
The Concert Jazz Band
180
Judy Holliday
184
The Sherwood Inn
190
Benny Goodman
195
The Half Note
204
Japan
210
Al the Waiter
214
Condons the Playboy Club
220
Comedians
227
The Studios
235
Lainie Kazan
238
Peter Duchin
243
Doubling in Brass
246
42nd Street
250
Jazz Anecdotes
255
Index
263
Copyright

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