The End of Art Theory: Criticism and Postmodernity |
Contents
Conceptualism | 29 |
Postmodernisms སླའངརྣ | 96 |
Diderot Barthes Vertigo | 112 |
Copyright | |
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advertising aesthetic analysis art history art institution art object art practice art theory artist ation avant-garde Avant-Garde and Kitsch Barthes's become body calls Camera Lucida castration anxiety cinema Clement Greenberg common sense concept conceptual art contemporary criticism Cubism culture deconstruction desire Diderot difference discourse displacement dream eighteenth century emergence essay example experience expression fact fantasy fetishism film Formalists formation Foucault Frederic Jameson Freud gallery Greenberg history painting human idea ideology imaginary individual judgement Julia Kristeva kitsch Kristeva Lacan language linguistic logocentrism Lyotard meaning Michel Foucault modern modernist museum narrative notion observes painting particular phantasy photograph picture political position postmodern production programme psychic psychoanalysis punctum purely radical realism reality relation remarks representation represented Roland Barthes Romanticism semiotics sexual signifier simply social society speak structure symbolic tableau theoretical things tradition unconscious Victor Burgin visual art woman words writing