Vision and Painting: The Logic of the Gaze |
Contents
The Essential Copy | 13 |
Perceptualism | 37 |
The Image from Within and Without | 67 |
Copyright | |
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Common terms and phrases
activity Albertian analysis Annunciation anthropology Art and Illusion art history artistic attributed Barthes Battle of Eylau Betrayal brush Byzantine canvas centric ray Cimabue codes of connotation codes of recognition Colin MacCabe concept construction context corpus cultural deixis denotation discourse Duccio Essential Copy exist formalist founding perception Francastel Gaze Giotto Glance Gombrich iconographic iconographic codes iconology Illus individual interaction knowledge language langue linguistic logic London Marr Marxism Masaccio mation meaning minimal schema myth N. Y. Marr natural attitude naturalisation noumenal noumenal field object observation painter painting practice Paris perspective Philosophy of Language Photograph physical Plinian Popper Portrait position present production realism reality representation Robert Campin Saussure scene schemata semantic signifying practice social formation society space spatial stereotype structure surface tacit temporality theory tion tradition trans universal visual experience vanishing point Vermeer viewer viewing subject vision visual field vraisemblance word