The glory of the page: medieval & renaissance illuminated manuscripts from Glasgow University Library
Published for Glasgow University Library and the Art Gallery of Ontario by Miller, 1987 - Design - 228 pages
Providing an unparalleled opportunity to study the development of the art of book illumination, this volume describes and illustrates the priceless collection of medieval manuscripts and early printed books held by the Glasgow University Library. Prepared for the occasion of the first
substantial showing of the Collection at the Art Gallery of Ontario in Toronto, the catalog encompasses a wide variety of texts--the Bible, Psalters, philosophy and history, alchemy, romances and legends, and the poetry of Chaucer and Petrarch. Thorp's explanations of working methods, materials,
and the social conditions that influenced the marriage of word and image, as well as over 200 illustrations (44 in full color), bring to life the splendid art of book illumination from Charlemagne to the Renaissance, and allow a wide range of specialized and general readers to experience the "glory
of the page."
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15th century Apocalypse appear Appendix artist Avicenna Bible bibliography blockbook blue Boccaccio Boethius Book of Hours borders Bought by Hunter Bought for Hunter Bruges Bure Charles Chateau d'Anet Christ classical coat of arms colour ill contains copy decorated initials double columns early England English example figures Florence folio France French frontispiece full-page pictures Giovanni Goff historiated initial Hunter's source Hunterian Collection Illuminated Manuscripts illustrations Italian Italy Jean Jean Colombe Johannes Kathleen Scott Lactantius leaf leaves Leonardo Bruni letters London long lines Louis-Jean Gaignat sale manu margin Master Medieval mid 15th century miniatures miniaturists MMBL motifs Netherlands Oxford painted panels Paris pattern penwork portrait provenance Psalter Renaissance Rome scenes scribe script scroll source not traced Stirling Maxwell style tion translated Treatise Tresors Vellum Venice volume white-vine William Hunter woodcuts written space Young & Aitken