Sabbaths

Front Cover
North Point Press, 1987 - Poetry - 96 pages
4 Reviews
Wendell Berry's most formal poetic work to date is a sequence of traditional and classic meditations, spanning the years 1979 to 1985. Written in the solitude of his hillside study over seven years of Sabbaths, these are poems of deep spirituality, meshing the metaphysical and the natural worlds.

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Review: Sabbaths

User Review  - Rita Quillen - Goodreads

My favorite Berry book of poetry... Read full review

Review: Sabbaths

User Review  - Leslie - Goodreads

Poems can feel like conversations in a way novels never do, to me. This book was a life-improving-and-deepening conversation last summer. I stumbled upon it at the Point Reyes library and renewed it ... Read full review

About the author (1987)

Wendell Berry The prolific poet, novelist, and essayist Wendell Berry is a fifth-generation native of north central Kentucky. Berry taught at Stanford University; traveled to Italy and France on a Guggenheim Fellowship; and taught at New York University and the University of Kentucky, Lexington, before moving to Henry County. Berry owns and operates Lanes Landing Farm, a small, hilly piece of property on the Kentucky River. He embraced full-time farming as a career, using horses and organic methods to tend the land. Harmony with nature in general, and the farming tradition in particular, is a central theme of Berry's diverse work. As a poet, Berry gained popularity within the literary community. Collected Poems, 1957-1982, was particularly well-received. Novels and short stories set in Port William, a fictional town paralleling his real-life home town of Port Royal further established his literary reputation. The Memory of Old Jack, Berry's third novel, received Chicago's Friends of American Writers Award for 1975. Berry reached his broadest audience and attained his greatest popular acclaim through his essays. The Unsettling of America: Culture and Agriculture is a springboard for contemporary environmental concerns. In his life as well as his art, Berry has advocated a responsible, contextual relationship with individuals in a local, agrarian economy.

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