Geometry of Design: Studies in Proportion and Composition

Front Cover
Princeton Architectural Press, 2001 - Design - 107 pages
16 Reviews
At last, a mathematical explanation of how art works presented in a manner we can all understand. Kimberly Elam takes the reader on a geometrical journey, lending insight and coherence to the design process by exploring the visual relationships that have foundations in mathematics as well as the essential qualities of life. Geometry of Design-the first book in our new Design Briefs Series-takes a close look at a broad range of twentieth-century examples of design, architecture, and illustration (from the Barcelona chair to the Musica Viva poster, from the Braun handblender to the Conico kettle), revealing underlying geometric structures in their compositions. Explanations and techniques of visual analysis make the inherent mathematical relationships evident and a must-have for anyone involved in graphic arts. The book focuses not only on the classic systems of proportioning, such as the golden section and root rectangles, but also on less well known proportioning systems such as the Fibonacci Series. Through detailed diagrams these geometric systems are brought to life giving an effective insight into the design process.

What people are saying - Write a review

User ratings

5 stars
5
4 stars
8
3 stars
3
2 stars
0
1 star
0

Review: Geometry of Design: Studies in Proportion and Composition

User Review  - Pj - Goodreads

I'm not a person that is trained in design, but I love the correlation between nature and geometry. The book started out with those comparisons, but went into geometry and key posters of the past as ... Read full review

Review: Geometry of Design: Studies in Proportion and Composition

User Review  - Jessie Moberg - Goodreads

If you like math and design, pick this book up. It's nerd-tastic. (The lovely images and diagrams are just an added bonus) Read full review

References to this book

All Book Search results »

About the author (2001)

Kimberly Elam is chairperson of the Graphic and Interactive Communication Department at the Ringling School of Art and Design in Sarasota, Florida.

Bibliographic information