Schoenberg and His School: The Contemporary Stage of the Language of Music |
Contents
PART I | 1 |
Phases of the Schoenbergian Reactivation | 43 |
The Suspension of the Tonal System | 74 |
Copyright | |
5 other sections not shown
Common terms and phrases
acquisitions Alban Berg appears arco Arnold Schoenberg Bach bass clarinet becomes beginning Berg's canon cello characteristic chords chromatic scale chromaticism completely composers composition Concerto contemporary musical contrapuntal contrary motion counterpoint dramatic elaborated elements essence evolution of polyphony example Finally fourth Gurre-Lieder harmonic Harpe idea imitation intervals Introduction to Twelve-Tone inversion Klangfarbenmelodie leading-tone Lulu means measure melody minor third modal modes motives movement musical language musical speech musicians opera orchestral original passage Pelleas und Melisande piano accompaniment piece Pierrot Lunaire pizz played polyphony possible principles problems recapitulation resources of chromaticism rhythm rhythmic Schoen Schoenbergian segment solo sonata sonata form Songs with piano sound-forms string quartet structure superposition Symphony thematic theme tion tonal functions tonal music tonal system tone-row tones total resources tradition Twelve-Tone Music twelve-tone row twelve-tone technique unfoldment unity variation viola violin vocal voice Webern world of sound Wozzeck