Front Cover
Ace Books, 1984 - Fiction - 271 pages
2935 Reviews
The Matrix is a world within the world, a global consensus- hallucination, the representation of every byte of data in cyberspace . . .

Case had been the sharpest data-thief in the business, until vengeful former employees crippled his nervous system. But now a new and very mysterious employer recruits him for a last-chance run. The target: an unthinkably powerful artificial intelligence orbiting Earth in service of the sinister Tessier-Ashpool business clan. With a dead man riding shotgun and Molly, mirror-eyed street-samurai, to watch his back, Case embarks on an adventure that ups the ante on an entire genre of fiction.

Hotwired to the leading edges of art and technology, Neuromancer ranks with 1984 and Brave New World as one of the century's most potent visions of the future.

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Brilliant writing and imagery. - Goodreads
Great story, terrible graphics - Goodreads
Great story- moves at a wonderful pace. - Goodreads
God this was hard to read. - Goodreads
I like happy endings. - Goodreads
Interesting prose style. - Goodreads

Review: Neuromancer (Sprawl #1)

User Review  - Michael Mather - Goodreads

I love the theme of the book but it took me a few tries to get in to it. Read full review

Review: Neuromancer (Sprawl #1)

User Review  - Jenny - Goodreads

Kind of a slog at a few points and took me a lot of rereading to get everything clear in my head (despite the fact that this is the second time I've read the book!), but it was worth the trouble! Read full review

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About the author (1984)

William Gibson was born on March 17, 1948 in Conway, S.C.. He grew up in a small town in Virginia and developed an interest in science fiction. He dropped out of high school and moved to Canada, where he eventually graduated from the University of British Columbia in 1977. Gibson earned his place in science fiction literary history with the publication of Neuromancer in 1984. Considered the first breakthrough novel written in the cyberpunk style, it won the three major science fiction awards; the Phillip K. Dick, The Hugo, and the Nebula. Set in the fast-paced world of the information superhighway, Gibson shows the negative effects of dealing with technology in cyberspace. His other works, including Mona Lisa Overdrive and the screenplay for the film Johnny Mnemonic, are filled with cynicism, high technology, and underground countercultures.

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