American cinematographer manual, Volume 1
Volume One is the reference guide containing in-depth chapters by noted professionals such as Framing for Television by Dave Kenig; Comparisons of 1.85, Anamorphic and Super 35 Film Formats by Rob Hummel; Anamorphic Cinematography by John Hora, ASC; Lenses by Iain Neil; Motion-Control Cinematography by Richard Edlund, ASC; Aerial Cinematography by Jon Kranhouse; Underwater Cinematography by Pete Romano, ASC; Digital Postproduction for Film by Bill Feightner and Robert L. Eicholz; Shooting 16mm Color Negative for Blowup to 35mm by Irwin Young, etc.Volume Two is the field guide starts with camera section assembled by Jon Fauer, ASC and continues with all of the tables and charts for quick reference while working on the set.Each book is 6x9 with over 400 pages. Each volume also contains the complete table of contents and index for both books for ease of use.
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Cinematographic Systems Vol I
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adjustment aircraft allows Ambient anamorphic lenses angle aspect ratio background backing battery blue bluescreen brightness calibration camera lens Camera Speeds cinematographer color negative color temperature composite correct density depth of field Digital Intermediate display distance electronic emulsion equipment exposure meter f-stop Film Speeds film stock filter flash fluorescence focal length focus footcandles foreground subject format frame green helicopter illumination incident increments laboratory lamp light source matte Measuring Range monitor motion picture mount nodal point normal objects operator optical printer pan and scan Panavision photographed pixel Power Source printer light printer points produce projector properly record reflected light release prints scanning scene Scotchlite screen shadow shooting shot shutter angle Shutter Speeds SMPTE spherical standard Steadicam stop Super 16mm Super 35 sync telecine tion types underwater viewfinder visual effects Wratten zoom lenses