Hans Richter: Activism, Modernism, and the Avant-garde

Stephen C. Foster
MIT Press, 1998 - 329 pagina's
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Few artists spanned the movements of early-twentieth-century art as completely as did Hans Richter. Richter was a significant force in the developments of expressionism, Dada, de Stijl, constructivism and Surrealism and the creator, with Viking Eggeling, of the abstract cinema. Along with Theo van Doesburg. Laszlo Moholy Nagy, El Lissitsky, and a few others, he is one of the artists crucial to an understanding of the role of the arts in the reconstruction era following World War I. After his emigration to the United States in 1941, he contributed enormously to modernism in the Unit@ States and served as an important conduit between the American and European art communities.

Most American scholars have focused on Richter's film work and have favored a strictly formelist approach that separates art and politics. The contributors to this book rewrite Richter's history to include his pivotal role in the development of the early-twentieth-century avant-garde and his political activism. When Richter's work, particularly that of his earlier, European career, is viewed in its historical and political context, he emerges as an artist committed to the power of art to change the fabric of social, political. and cultural affairs.

The essays in this book, which accompanies a 1998 Richter retrospective held in Valencia, Spain, and at the University of Iowa Art Museum, are organized roughly around the expressionist and Dada years, Richter's short tenure in Munich's postwar revolutionary Second Council Republic, his central involvement in international constructivism and the development of the abstract cinema, and the politicization of film that arose from his anti-Nazi activities of the latetwenties and thirties.

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Hans Richter (artist) - Wikipedia, the free encyclopedia
Stephen C. Foster, Hans Richter: Activism, Modernism, and the Avant-Garde (Cambridge, MA: MIT Press, 1998); Hans Richter, 'Towards a New World Plasticism' ...
en.wikipedia.org/ wiki/ Hans_Richter_(artist)

Specters of the Real: Documentary Time and Art -- Cowie 18 (1): 87 ...
Hans Richter: Activism, Modernism, and the Avant-garde. Ed. Stephen C. Foster. Cambridge, MA: MIT P, 1998. 16-46. Bersani, Leo. The Culture of Redemption. ...
differences.dukejournals.org/ cgi/ content/ refs/ 18/ 1/ 87

3cinema - kino eksperymentalne i awangardowe, największy serwis w ...
Hans Richter. Activism, Modernism and the Avant-Garde., MIT Press, Massachusetts, 1998; Freeman Judi, Briding purism and surrealism: The origins and ...
www.3cinema.art.pl/ 3cinema.php?akcja=biblio

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Darstellung Teil 2 Bibliographie Teil 3 Diskographie
1. Christian Scholz. Untersuchungen. zur Geschichte und Typologie. der Lautpoesie. Teil 1. Darstellung. Teil 2. Bibliographie. Teil 3. Diskographie ...
www.engeler.de/ lautpoesiebibliographie.pdf

Over de auteur (1998)

Born in Lawrenceville, Pennsylvania, Stephen Foster became a well-known American composer of many popular songs that are still sung and enjoyed today. As a child, Foster learned to play the flute. At the age of 18, he published his first song, "Open Thy Lattice, Love." In 1846 Foster moved to Cincinnati to work as an accountant for one of his brothers. During his career, Foster wrote 189 songs, to most of which he wrote both the words and the music. Among his most notable songs are "Old Folks at Home" (or "Swanee Ribber," as it was commonly called), "O Susanna," "My Old Kentucky Home," and "Jeanie with the Light Brown Hair." "Beautiful Dreamer" was the last song he wrote. Foster finished the composition only a few days before his death. Foster's music was greatly influenced by black minstrel shows. The gentleness of many of Foster's songs was not characteristic of his life. He was constantly in need of money, his marriage was most unhappy, and he died penniless in New York's Bellevue Hospital. Foster's fame lives on today. Hundreds of reprints of Foster's songs are available, almost all of which have "improved" arrangements.

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