Catalogue of the Corbett Collection of Casts from Greek and Roman Sculpture |
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Page iv
... Apollo . — The rich , reviving life of Spring spoke to them of a goddess whose spirit running through the winter - frozen veins of earth brought forth the children of the warm season . This was the universal mother , the god- and man ...
... Apollo . — The rich , reviving life of Spring spoke to them of a goddess whose spirit running through the winter - frozen veins of earth brought forth the children of the warm season . This was the universal mother , the god- and man ...
Page xi
... Apollo ( No. 14 ) . A continuance of study of how best to render the qualities , the suggestion of which makes even these early and slightly stiff statues very attractive , is displayed in the work of Myron , illustrated in this ...
... Apollo ( No. 14 ) . A continuance of study of how best to render the qualities , the suggestion of which makes even these early and slightly stiff statues very attractive , is displayed in the work of Myron , illustrated in this ...
Page xii
... Apollo , one cannot be far wrong in seeing therein the qualities that made Kalamis famous for his statues of religious subjects , and turning then to the Spinario or the Diskobolus we see the ideal- ization of the human body that made ...
... Apollo , one cannot be far wrong in seeing therein the qualities that made Kalamis famous for his statues of religious subjects , and turning then to the Spinario or the Diskobolus we see the ideal- ization of the human body that made ...
Page xiii
... Apollo ( which is undoubtedly not an Apollo ) or that the " Spinario " . was modeled by Myron or Pythagoras . Our actual knowledge of these artists and of the statues them- selves is too slight for such propositions to be anything more ...
... Apollo ( which is undoubtedly not an Apollo ) or that the " Spinario " . was modeled by Myron or Pythagoras . Our actual knowledge of these artists and of the statues them- selves is too slight for such propositions to be anything more ...
Page xix
... Apollo Sauroc- tonos " and the " Eros " from Centocelle ( Nos . 37 and 40-43 ) . One sees at once that all is changed from the Pheidian work , but just where the difference lies is not so easy to discover . A little study soon shows a ...
... Apollo Sauroc- tonos " and the " Eros " from Centocelle ( Nos . 37 and 40-43 ) . One sees at once that all is changed from the Pheidian work , but just where the difference lies is not so easy to discover . A little study soon shows a ...
Common terms and phrases
Akropolis Amazon ancient Annali dell Aphrodite Apollo Apoxyomenos archaic Artemis artist Athenian Athens athlete Attic beauty belong Berlin body British Museum bronze Brunn's Denkmäler character characteristic coins Collignon color copy Described divinities Doryphoros drapery epoch Erechtheion expression face fifth century B. C. figure fourth century B. C. fragment Friederichs frieze Furtwängler Glyptothek goddess Greece Greek art Greek marble Greek sculpture Hadrian's Villa hair head Helbig Hellenistic Hermes ideal indicated inscription Ionic Ionic schools Knidos l'Art antique Laokoön later left hand Louvre Ludovisi Lysippos Masterpieces ment Michaelis modelling Monuments de l'Art Niké Niobe nose original Parian marble Parthenon Pentelic marble Pergamon Perikles period Pheidias Polykleitos Praxiteles probably PUBLISHED qualities Rayet's relief replicas repre represented resemblance RESTORATIONS right arm right hand Roman Rome Satyr sculp sculpture shows side Skopas statue style suggestion temple tion treatment Vatican Venus Villa Wolters youth Zeus