Chinese Cinema During the Era of Reform: The Ingenuity of the System (Google eBook)

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Greenwood Publishing Group, 2003 - Language Arts & Disciplines - 230 pages
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The political economy and culture of Chinese cinema during the era of China's prolonged economic reform has not until now been examined in detail. Ying Zhu's new and comprehensive study examines the institutional as well as the stylistic transitions of Chinese cinema from pedagogy to art to commerce, focusing on the key film reform measures as well as the metamorphosis of Chinese Fifth Generation films from art film narration-as in Chen Kaige's 1984 "Yellow Earth"-to post-New-Wave classical film narration-as in the same director's 1993 "Farewell, My Concubine." Zhu's work reconciles the stylistic, cultural, and economic dimensions of the nation's cinematic output, also providing the first systematic institutional analysis of an industry in a state of constant flux.

  

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Contents

Chinese Cinema A Culture and Economy in Disarray
1
Cinematic Modernization and Chinese Cinemas First Art Wave
39
Economic Reform and Populist Cinematic Revival
71
From New Wave to PostNew Wave
111
PostWave Its the Economy Stupid
143
Shadowplay Early Chinese Cinema in the Shadow of Hollywood
175
Chinese Cinema A Cultural or an Economic Issue?
211
Index
221
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About the author (2003)

YING ZHU is Assistant Professor of Media Culture at the College of Staten Island, City University of New York.

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