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Adagio Allegro Arias art of music artistic B-minor Bach beautiful become Beethoven beginning Berlioz C-major character Chopin church music church style Clavier Comic Opera composers Concerto created creation Director dramatic earnest entirely epoch especially Etudes Fantasia feeling Fidelio French fugue genial Germany give Glinka Gluck Grand Opera Handel Haydn Haydn and Mozart hear heard hence Henselt Hummel influence instru instrumental music interesting interpretation Italian Italian language Italy J. S. Bach language last movement Liszt lyric melody Mendelssohn ment merely minor Moscheles Mozart Music School musical expression musicians names Opera Comique opinion Oratorio orchestra Organ Overture Palestrina pedal period piano Pianoforte compositions Pianoforte Sonatas play poser Prelude programme programme music regard rendering rhythm Scherzo Schubert Schumann second movement sense singing songs soul speak splendor spoken String Quartettes sung technic tempo theme tion to-day tone tragic Violin virtuosity vocal music Wagner Weber written wrote