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Page 154
... camera controls . Basically it involved a standard 65mm . Mitchell camera mounted on a fifteen - foot track leading to a screen with a narrow vertical slit in its center . Behind the screen was a powerful light source focused through ...
... camera controls . Basically it involved a standard 65mm . Mitchell camera mounted on a fifteen - foot track leading to a screen with a narrow vertical slit in its center . Behind the screen was a powerful light source focused through ...
Page 267
... camera tubes are incorporated inside each camera : one each for the basic colors red , blue , and green , and one black - and - white tube for use in aligning and resolving the three colors . In color television receivers , three ...
... camera tubes are incorporated inside each camera : one each for the basic colors red , blue , and green , and one black - and - white tube for use in aligning and resolving the three colors . In color television receivers , three ...
Page 268
... Camera One's picture to be matted out and make an opaque mask ( cardboard , etc. ) to cover the corresponding area on the cel over the inlay tube's raster . The switching circuit automatically blanks out that area in Camera One's ...
... Camera One's picture to be matted out and make an opaque mask ( cardboard , etc. ) to cover the corresponding area on the cel over the inlay tube's raster . The switching circuit automatically blanks out that area in Camera One's ...
Contents
List of Illustrations | 15 |
Inexorable Evolution and Human Ecology | 37 |
The Audience and the Myth of Entertainment | 45 |
Copyright | |
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aesthetic analogue artist audience beam becomes Beflix black-and-white blue broadcast Buckminster Fuller called camera Carolee Carolee Schneemann color computer films concept consciousness cosmic create creative Cybernetic dancers developed digital computer display earth effect electronic environment exist expanded cinema experience Expo 67 filmmaker frame GENE Gene Youngblood graphic holograms Howard Wise human imagery intermedia John John Cage Jordan Belson kinetic KQED language laser light light pen live machine medium metaphysical monitor motion moving Nam June Paik nature optical Otto Piene patterns Photo photographed physical picture possible produced projection projectors reality realize recorded Ronald Nameth Samadhi scan scene screen sense sequence simulation simultaneously slides slit-scan sound space structure studio synaesthetic cinema Tambellini tape techniques television theatre there's things tion transformed tube universe videographic videotape videotronic viewer vision visual Whitney York