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CLEMENT GREENBERG Modernist Painting
JURGEN HABERMAS Modernity Versus
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abstract abstract art aesthetic quality Anthony Caro artists attempt audience aura Avant-Garde and Kitsch become believe bourgeois bourgeoisie Brown Buchloh called Caro century claim Clark Clement Greenberg commodity conception consciousness construction Contemporary Art context critical critique culture David Salle difference discourse effect essay everyday example exhibition existing reality experience F. R. Leavis fact feminine feminism feminist flatness formal formalist Freud Gedo graffiti Greenberg Hal Foster ideas ideology illusion images institutions issues Julian Schnabel Kant kind Kuspit Lacan Lippard Marxist means medium mode modern art Modernist art modernist painting Museum narrative negation neoconservative norms notion object original painters particular Partisan Review photographs picture pleasure political position Postmodern practice present production psychoanalysis question radical realm relation relationship representation reprinted seems sense sexuality Sherrie Levine significant social society specific Spero and Torres structure theory tion tradition TTSS values visual woman women writes York