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Early American Cinema in Transition: Story, Style, and Filmmaking, 1907–1913
Limited preview - 2001
aesthetic American analysis Anderson and Richie angle artistic artworld benshi birds Cahiers du cinema camera movement character Christian Metz classical close-up color Comolli composition concept consciousness context criticism culture desire diegesis director economic Eisenstein elements enunciation example Figs film history film industry film theory film's filmic filmmaking frame function Gomery Griffith Hollywood ibid ideology imaginary important Institutional Theory Japan Japanese cinema Japanese Film Kinemacolor Lincoln Lisa Lisa's look Lydia Mark Marxist medium shot Melanie metonymy Miss Giddons Miss Jessel Mitch Mizoguchi narrative Nikkatsu notion object open concept Ophuls Ozu's Pascal Bonitzer perspective pleasure point of view position problem production psychoanalytic question Quint Ramsaye relation relationship repetition representation scene scopophilia Screen seen semiotic sense sequence Shochiku shot significant social sound specific spectator Stefan structure style suture symbolic Technicolor tion tradition view editing viewer voyeurism window woman