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17th Century ADDRESS BY ROSS analytical process basic scale brave new world by-pass chamber music chromatic order Claremont COLLEGE BULLETIN composed my String composer and performer composer's composition conscious creative artist creative process determine the music disturbed to find dominate entirely the result escape the impact excitement that forced expressive range finished fragment gesture into music halves and quarters Hermann Scherchen hexachord idea impact of science intellectual intuitive judgment Koussevitzky Foundation leading tone lengths of phrases lives means melody Menuhin music follow musical experience musical language musical material musical scales musical shape musical thought numbers over-emotional pattern perhaps poser predeter predetermined Process AN ADDRESS process of composing ROSS LEE FINNEY row organization scholar scholar's analysis scientific revolution Scripps College sense of gesture six notes sketch copy sound source-set String Quintet sure symphony systematic talent technical tion tonal emphasis twelve-tone row unconscious mind unique organization verbal language