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A lost art is restored
Selection and placement of patterns
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24 hours alizarine crimson apply authentic blend Boston rocker Bronze powders brown varnish brush strokes burnt umber carbon tetrachloride carborundum cellophane tape center slat clean coat of varnish color cornucopia curve decorated denatured alcohol dish dry for 24 dust early edge Esther Stevens Brazer excess varnish figure 59 finger front furniture glue gold powder gold-leaf hairs handgrip Hitchcock-type chair hole India ink knife Lambert Hitchcock last coat late patterns leaf legs lightly linen lines linseed oil main slat old chairs old finish palette pencil Penn Yan piece polish prussian blue pumice raw umber sand scissors seat shaded veins shape Sheraton fancy chairs showcard brushes shown in figure side steel wool STENCIL CHAIRS stencil patterns stick stile pattern striping brush style surface tack rag tacky technique terns top slat trace Trumansburg turpentine varnish brush velour velvet Wellesley Hills wipe yellow-gold York