A Critique of Hindusthani Music and Music Education |
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Page 121
... DHRUPAD OR KHAYAL or MASHIDIKHANI and RAZAKHANI styles . Question No. 2 is also puzzling one as it is wide in scope and asks for the entire content pertaining to both Northern and Southern systems . The question could be more direct and ...
... DHRUPAD OR KHAYAL or MASHIDIKHANI and RAZAKHANI styles . Question No. 2 is also puzzling one as it is wide in scope and asks for the entire content pertaining to both Northern and Southern systems . The question could be more direct and ...
Page 190
... Dhrupad style evoked in place of PRABANDHA , VASTU , RUPAK etc. In Akbar's time we find maturity in both the architectural and the Dhrupad styles . Both the arts exhibit the dignity , beauty , strength and simplicity of the combined ...
... Dhrupad style evoked in place of PRABANDHA , VASTU , RUPAK etc. In Akbar's time we find maturity in both the architectural and the Dhrupad styles . Both the arts exhibit the dignity , beauty , strength and simplicity of the combined ...
Page 191
... Dhrupad , Dhamar etc , maintaining balance and harmony in their respective constituents i.e. Alap , bahalawas , Tans , Meend , Flashes , Layabant etc. according to the requirement of the CHEEZE ' . Music and Painting : Throughout the ...
... Dhrupad , Dhamar etc , maintaining balance and harmony in their respective constituents i.e. Alap , bahalawas , Tans , Meend , Flashes , Layabant etc. according to the requirement of the CHEEZE ' . Music and Painting : Throughout the ...
Contents
Philosophical Importance | 1 |
Svara Graph No 3 Svara Graph No | 4 |
Importance For International Understanding | 7 |
Copyright | |
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Common terms and phrases
Abhinavagupta According aesthetic aims Alamkars Alaps Amir Khushru Anupa Aroha Arohavaroha ASAWARI asked aspects BHAIRAVA BHAIRAVI Bharata Bhaṭṭa Bhava Bombay Brahaspati cartilages chapter classical music College compositions dancing derivative ragas DHAIVATA Dhrupad Digambar employed folk-songs Gandharva gives Grāma Hindi Hindustani Music Hrdaya important Indian Music Instrumental Music JĀTIS Khan Khayal knowledge KOMAL Laya lesson lesson-notes Madhya MADHYAMA Mandra Matanga Mela melodies Murchhana music-education music-teacher musicians musicologists Natyasastra notation Paluskar period Persian pitch playing poetry produced Pundarika pupil-teacher pupils questions Ragas Raginis Rājā Rāmāmātya Rasa recognised Sangeet Sangita Sangita Parijata scholars seven notes Simha singing Sitar song or Gat sound SRGMP Śrutis stage string Śuddha Svaras Swara syllabus Tabla Tanpura teaching aid teaching music tests TIVRA Udatta V. N. Bhatkhande various vibrations Vikrita Svaras Visnu Vocal Music vocal-cords voice voice-culture Yes/No