Sign Writing and Glass Embossing: A Complete Practical Illustrated Manual of the Art |
Contents
| 121 | |
| 127 | |
| 129 | |
| 135 | |
| 141 | |
| 148 | |
| 157 | |
| 159 | |
| 70 | |
| 76 | |
| 77 | |
| 84 | |
| 90 | |
| 97 | |
| 103 | |
| 109 | |
| 115 | |
| 166 | |
| 172 | |
| 178 | |
| 184 | |
| 192 | |
| 196 | |
| 203 | |
| 209 | |
Other editions - View all
Common terms and phrases
ABCDEFGHIJKLMNOPQRSTUVWXYZ adopted alphabets angles appear applied artists beginner blue called CAMEL HAIR centre century characters churches color common course curved decoration effect Egyptian employed executed flat fluoric acid geometrical gilding give glass embossing gold leaf gold-size ground height horizontal line imitation inches inscriptions instance isinglass Italic kind light logogram means metal metallic leaf method modern monumental brasses mordant Moxon ness object oblique ornamental painted painter paper perfect perspective piece polished alphabets practice present proportion Prussian blue purposes regard Roman capitals Roman letters Rose Madder rows of letters rubbed sable pencil San-seriff seriffs shade shadow shape side sign-writer sometimes specimen square straight student style of letter subjoined surface ters Theatrical scenery thick strokes thin tint tion tom lines top and bottom turpentine uniformity vanishing point varnish vermilion whilst white lead width word writing