Film art: an introduction

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The McGraw-Hill Companies, 1997 - Performing Arts - 496 pages
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User Review  - aethercowboy - LibraryThing

If you've ever wanted a simple guide for film critique, this is it. Included with most copies of Bordwell and Thompson's Film Art, this book explains film critique, and the things you need to take ... Read full review

Contents

Social Factors in Film Production
10
Implications of Different Modes of Film Production
26
Notes and Queries
33
Copyright

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About the author (1997)

David Bordwell is Jacques Ledoux Professor Emeritus of Film Studies at the University of Wisconsin-Madison. He holds a master's degree and a doctorate in film from the University of Iowa. His books include"The Films of Carl Theodor Dreyer" (University of California Press, 1981), "Narration in the Fiction Film" (University of Wisconsin Press, 1985), "Ozu and the Poetics of Cinema" (Princeton University Press, 1988), "Making Meaning: Inference and Rhetoric in the Interpretation of Cinema" (Harvard University Press, 1989), "The Cinema of Eisenstein" (Harvard University Press, 1993), "On the History of Film Style" (Harvard University Press, 1997), "Planet Hong Kong: Popular Cinema and the Art of Entertainment" (Harvard University Press, 2000), "Figures Traced in Light: On Cinematic Staging" (University of California Press, 2005), "The Way Hollywood Tells It: Story and Style in Modern Movies" (University of California Press, 2006), and "The Poetics of Cinema" (Routledge, 2008). He has won a University Distinguished Teaching Award and was awarded an honorary degree by the University of Copenhagen. His we site is www.davidbordwell.net.

Kristin Thompson is an Honorary Fellow at the University of Wisconsin-Madison. She holds a master's degree in film from the University of Iowa and a doctorate in film from the University of Wisconsin-Madison. She has published"Eisenstein's Ivan the Terrible: A Neoformalist Analysis" (Princeton University Press, 1981), "Exporting Entertainment: America in the World Film Market 1907-1934" (British Film Institute, 1985), "Breaking the Glass Armor: Neoformalist Film Analysis" (Princeton University Press, 1988), "Wooster Proposes, Jeeves Disposes, or, Le Mot Juste" (James H. Heineman, 1992), "Storytelling in the New Hollywood: Understanding Classical Narrative Technique" (Harvard University Press, 1999), "Storytelling in Film and Television" (Harvard University Press, 2003), "Herr Lubitsch Goes to Hollywood: German and American Film after World War I" (Amsterdam University Press, 2005), and "The Frodo Franchise: The Lord of the Rings and Modern Hollywood" (University of California Press, 2007). She blogs with David at www.davidbordwell.net/blog. She maintains her own blog, "The Frodo Franchise," at www.kristinthompson.net/blog. In her spare time she studies Egyptology.

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