The counterlife

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Penguin Group (USA) Incorporated, 1988 - Fiction - 371 pages
19 Reviews
The Counterlife is about people enacting their dreams of renewal and escape, some of them going so far as to risk their lives to alter seemingly irreversible destinies. Wherever they may find themselves, the characters of The Counterlife are tempted unceasingly by the prospect of an alternative existence that can reverse their fate. Illuminating these lives in transition and guiding us through the book's evocative landscapes, familiar and foreign, is the miind of the novelist Nathan Zuckerman. His is the skeptical, enveloping intelligence that calculates the price that's paid in the struggle to change personal fortune and reshape history, whether in a dentist's office in suburban New Jersey, or in a tradition-bound English Village in Gloucestershire, or in a church in London's West End, or in a tiny desert settlement in Israel's occupied West Bank.

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Roth/his protagonist is a prick in writing this book. - Goodreads
Writing is creative. - Goodreads
But then I thought to myself he is a writer. - Goodreads
With writing a person can wear a mask. - Goodreads
I am a writer, just like Nathan. - Goodreads

Review: The Counterlife

User Review  - Michael Battaglia - Goodreads

Or "If everyone must have a future, it's better off being multiple choice." Of the many themes that often crop up whenever Roth comes out with a Nathan Zuckerman novel, one of them is the extent a ... Read full review

Review: The Counterlife

User Review  - Barry Bass - Goodreads

"The Counterlife" belongs right up there with the best of the Philip Roth canon. The book, besides being a thoughtful take on the relationship between perception and reality, kindness versus truth ... Read full review

Contents

Section 1
1
Section 2
9
Section 3
12
Copyright

28 other sections not shown

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About the author (1988)

Goodbye, Columbus' is a first book but it is not the book of a beginner. Unlike those of us who come howling into the world, blind and bare, Mr. Roth appears with nails, hair, and teeth, speaking coherently. At 26 he is skillful, witty, and energetic and performs like a virtuoso"---so wrote Saul Bellow when Philip Roth made a loud entry onto the literary scene with Goodbye, Columbus (1960), a novella and short stories that won the 1960 National Book Award. Roth, born and raised in Newark, New Jersey, attended the public schools of that city and went on to Bucknell University before receiving his M.A. from the University of Chicago and publishing stories about contemporary Jewish life in such prestigious literary magazines as, Paris Review, The New Yorker, and Commentary. Of Letting Go (1962), a novel about young university teachers in the 1950s, the Atlantic said that "the sharply observant qualities of his first book have been expanded and enriched; he has become more probing, tentative, complex"; and "When She Was Good," his story of a gentile girl of the Midwest who in striving for moral perfection destroys her family and ultimately herself, was described by Raymond Rosenthal in the New Leader: "With a simplicity and modesty that are in the end lethal, Roth has written the most violently satiric book about American life since Evelyn Waugh's "The Loved One."' The bestselling Portnoy's Complaint (1969) caused a greater stir than any other novel of its time. Told in the form of a confession by Alexander Portnoy to his psychiatrist Dr. Spielvogel, this outrageous novel centers around the character of Alexander's archetypal Jewish mother. Virtually the apotheosis of the American Jewish novel, Portnoy's Complaint seems almost to have killed off the form it represents, and even Roth himself has been hard put to match or surpass this blackest of comedies. Our Gang (1971) is a clever political satire directed at President Nixon and his pre-Watergate associates, but those prominent targets of Roth's venomous scorn seem pale and feeble when compared with the formidable mother in Portnoy's Complaint. The Breast (1972) finds Roth rather pathetically groping for a subject equally spectacular. oth has continued to produce novels at the rate of about one every two years, but none has come close to matching the impact of Portnoy's Complaint . In fact, Roth has linked together several of his recent works by means of a central character named Nathan Zuckerman, who seems to be Philip Roth looking back on his literary career and wondering where he goes from there. Zuckerman is introduced in My Life as a Man (1974) and takes the central role in The Ghost Writer (1979), Zuckerman Unbound (1981), and The Anatomy Lesson (1983). In addition to the Zuckerman saga, Roth has produced several independent novels. Recent work, such as Deception (1991), deals further with the interplay of truth and fiction in the "author's" life. In his most recent work, Patrimony: A True Story (1991), winner of a National Book Critics Circle Award, Roth recounts his father's illness and death. Roth has also taken an active interest in the work of Eastern European writers, such as Milan Kundera, (see Vol. 2) and has helped bring their work to the West's attention.

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