Time and the Conways: a play in three acts

Front Cover
S. French, limited, 1939 - Drama - 84 pages
12 Reviews

From inside the book

What people are saying - Write a review

User ratings

5 stars
4 stars
3 stars
2 stars
1 star

Review: Time And The Conways

User Review  - Jonathan Edgington - Goodreads

When it comes to theatre, I usually prefer "new writing" but this is one of those ageless, classic plays that will, deservably, be around for ever. TIME AND THE CONWAYS made a big impression on me ... Read full review

Review: Time And The Conways

User Review  - Esdaile - Goodreads

This play was broadcast starring Vanessa Redgrave by the BBC some 40 years ago. God, what a wonderful play it is! JB Priestly has presented two important truths about human psychology in this tale ... Read full review


Section 1
Section 2
Section 3

3 other sections not shown

Common terms and phrases

About the author (1939)

English novelist, playwright, and critic J. B. Priestley was born in Bradford in Yorkshire, the setting for many of his stories, and was educated at Cambridge University. Although he first established a reputation with critical writings such as The English Comic Characters (1925), The English Novel (1927), and English Humor (1928), it is for his novels and plays that he is best known. Priestley was, like John Galsworthy and Somerset Maugham, a novelist only partially committed to his playwriting. Yet he became the dominant literary figure in the London West End during the 1930s, as he attempted to make realistically rendered domestic conversation the vehicle for a mature study of personality and emotion. Philosophical theories about time, Socialist dogmatism (often erupting into sermons), and a taste for dramatic expressionism may be said to have finally deflected him from his goal. Priestley's experimental bent nevertheless yielded, among his more than 25 plays, a number of striking theatrical situations---the soliloquies of Ever since Paradise, the reviewed life in Johnson over Jordan (1939), the replay of an ill-fated conversational turn in Dangerous Corner (his most successful play, 1934), and the supernatural visitation in An Inspector Calls (his acknowledged masterpiece, 1946).

Bibliographic information