The Doom Stone

Front Cover
Hyperion Book CH, Oct 1, 1996 - Juvenile Fiction - 192 pages
Jackson is always psyched to visit his aunt Sarah when she's working on an anthropological dig. This time she's in England, at Stonehenge, and Jackson can't wait to see the massive and mysterious stone formations in person. But then he witnesses a vicious attack on a young man, and another on his beloved aunt Sarah. A savage beast no one has ever seen before is on the prowl. Now it's up to Jackson and his new friend, Alma, a gravedigger's daughter, to stop the beast. All the clues lead back to Stonehenge, where he and Alma must risk their lives to solve the mystery of the monster stalking the countryside-before it's too late. "Even reluctant readers won't be able to put this one down."-Booklist

From inside the book

Contents

THE SIGHTING I
1
NIGHT SOUNDS
8
THE STALKING
18
Copyright

10 other sections not shown

Other editions - View all

Common terms and phrases

About the author (1996)

Paul Zindel Born on Staten Island, New York, Zindel was raised by a single mother who pursued a variety of odd and mostly unsuccessful jobs and took in terminally ill patients to supplement the family income. Due to her eccentricity and restlessness, the mother moved the family from one apartment to another, making it difficult for Zindel to form lasting friendships. As a consequence, the boy lived in the world of his imagination, developing interests in both science and writing. Zindel majored in chemistry at Wagner College on Staten Island, completing both bachelors and masters degrees. During this period he also took a creative-writing course offered by the playwright Edward Albee. After college he worked briefly as a technical writer for a chemical company and then discovered a more fulfilling vocation as a teacher of chemistry and physics at a Staten Island high school. It was during this period in the early 1960s that Zindel was able to develop his potential as a playwright by drawing on his own background as well as the experiences of his young students. The Effect of Gamma Rays on Man-in-the-Moon Marigolds premiered at the Alley Theater in Houston in 1965, was presented in a condensed version on television the following year, and finally opened off-Broadway at the Mercer-O'Casey Theater in 1970. Because of a fire in the theater, the play was moved, with a new cast, to the New Theater on Broadway, where it ran for a total of 819 performances. In addition to being enormously popular, Gamma Rays earned in 1970 an Obie Award as the best play of the season, the New York Drama Critics Circle Award as the best American play, and the Vernon Rice Drama Desk Award for most promising playwright. In 1971 the play was awarded the Pulitzer Prize in Drama. Gamma Rays is the story of an embittered, half-mad widow, Beatrice Hunsdorfer; her teenaged daughters, Ruth and Tillie; and Nanny, a decrepit old woman who boards with them. The family lives in chaos, with Beatrice dealing out petty vengeance to everyone. Nanny has been abandoned by her daughter. Ruth is wanton, untidy, and subject to seizures. Tillie, however, has become interested in science and enters her marigold experiment in the science fair; by exposing the marigold seeds to radiation, she shows that some produce normal plants, others produce mutations with beautiful double blooms, while still others die. The metaphor, of course, is that Tillie has emerged from her chaotic environment as a beautiful and whole person, a human "double bloom." Zindel's other plays include And Miss Reardon Drinks a Little (1971), The Secret Affairs of Mildred Wild(1973), Let Me Hear You Whisper (1973), and Ladies at the Alamo(1975). While these plays continue to show Zindel's skill in writing excellent roles for women, none of them have matched the critical and popular success of Gamma Rays. Since the late 1960s, Zindel has also written several novels for young adults. The Pigman (1968), which is about a lonely widower and two destructive teenagers, has sold more than 1 million copies. His other novels include My Darling, My Hamburger (1969), I Never Loved Your Mind (1970), Pardon Me, You're Stepping on My Eyeball (1976), Confessions of a Teenage Baboon (1977), and The Undertaker's Gone Bananas (1978). As in Gamma Rays, these works display not only a penchant for grotesque humor but an uncanny awareness of the problems of teenagers. Zindel's works, which also include several screenplays, explore the themes of loneliness, escapism, and eccentricity. His best works are humorous, perceptive, and warm; they present an affirmation of life emerging from desperate and grotesque circumstances. He is especially noted for his excellent women's roles, which has helped sustain him as a best-selling playwright for school and community groups.

Bibliographic information