When the Lights Go Down |
From inside the book
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Page 42
... dialogue and a scene with a caged black bear - the emblem of the writer - director John Milius - suggest that Hill is declaring himself of the neo - commercial school of Milius , but Hill has a steadier hand . Milius tries to evoke ...
... dialogue and a scene with a caged black bear - the emblem of the writer - director John Milius - suggest that Hill is declaring himself of the neo - commercial school of Milius , but Hill has a steadier hand . Milius tries to evoke ...
Page 65
... dialogue pushes a button marked military hypocrisy , or corruption of colonialism , or subterranean sex perversion . The setting is a cavalry outpost in India , in 1878. At the opening , there are troops parading , but that's just for ...
... dialogue pushes a button marked military hypocrisy , or corruption of colonialism , or subterranean sex perversion . The setting is a cavalry outpost in India , in 1878. At the opening , there are troops parading , but that's just for ...
Page 218
... dialogue that the Britisher Boxley wrote , we don't know how to react , because the dialogue isn't the only thing wrong with the footage . The faces don't have the thirties sheen , the lights and shadows don't jump out at you the way ...
... dialogue that the Britisher Boxley wrote , we don't know how to react , because the dialogue isn't the only thing wrong with the footage . The faces don't have the thirties sheen , the lights and shadows don't jump out at you the way ...
Contents
The Man from Dream City | 3 |
Lazarus Laughs | 35 |
Royal Flash | 49 |
Copyright | |
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