 Rhythmus, or pomp of cadence, or sonorous ascent of clauses, in the structure of sentences, were effects of art as much thrown away upon him as the voice of the charmer upon the deaf adder. We ourselves, occupying the very station of polar opposition...  The History of the English Paragraph - Page 132by Edwin Herbert Lewis - 1894 - 200 pagesFull view - About this book
 | American literature - 1849 - 606 pages
...substratum in his nature, that Lamb had no sense of the rhythmical in prose composition. Rhythmus, or pomp of cadence, or sonorous ascent of clauses,...him as the voice of the charmer upon the deaf adder. We ourselves, occupying the very station of polar opposition to that of Lamb, being as morbidly, perhaps,... | |
 | English literature - 1849 - 636 pages
...substratum in his nature, that Lamb had no sense of the rhythmical in prose composition. Rhythmus, or pomp of cadence, or sonorous ascent of clauses,...him as the voice of the charmer upon the deaf adder. We ourselves, occupying the very station of polar opposition to that of Lamb, l)eing as morbidly, perhaps,... | |
 | 1849 - 588 pages
...substratum in his nature, that Lamb had no sense of the rhythmical in prose composition. Rhythmus, nguage I understand We ourselves, occupying the very station of polar opposition to that of Lamb, being as morbidly, perhaps,... | |
 | American periodicals - 1849 - 638 pages
...substratum in his nature, that Lamb had no sense of the rhythmical in prose composition. Rhythmus, or pomp of cadence, or sonorous ascent of clauses,...sentences, were effects of art as much thrown away upon Aim as the voice of the charmer upon the deaf adder. We ourselves, occupying the very station of polar... | |
 | Thomas De Quincey - 1850 - 318 pages
...substratum in his nature, * that Lamb had no sense of the rhythmical in prose composition. Rhythmus, or pomp of cadence, or sonorous ascent of clauses,...him as the voice of the charmer upon the deaf adder. We ourselves, occupying the very station of polar opposition to that of Lamb, being as morbidly, perhaps,... | |
 | Thomas De Quincey - 1851 - 306 pages
...substratum in his nature, 13 that Lamb had no sense of the rhythmical in prose composition. Rhythmus, or pomp of Cadence, or sonorous ascent of clauses,...him as the voice of the charmer upon the deaf adder. We ourselves, occupying the very station of polar opposition to that of Lamb, being as morbidly, perhaps,... | |
 | Thomas De Quincey - 1862 - 366 pages
...substratum in his nature, that Lamb had no sense of the rhythmical in prose composition. Rhythmus, or pomp of cadence, or sonorous ascent of clauses,...him as the voice of the charmer upon the deaf adder. We ourselves, occupying the very station of polar opposition to that of Lamb, being as morbidly, perhaps,... | |
 | Thomas De Quincey - English literature - 1862 - 364 pages
...substratum in his nature, that Lamb had no sense of the rhythmical in prose composition. Rhythmus, or pomp of cadence, or sonorous ascent of clauses,...him as the voice of the charmer upon the deaf adder. We ourselves, occupying the very station of polar opposition to that of Lamb, being as morbidly, perhaps,... | |
 | Thomas De Quincey - 1862 - 364 pages
...substratum in his nature, that Lamb had no sense of the rhythmical in prose composition. Rhythmus, or pomp of cadence, or sonorous ascent of clauses,...him as the voice of the charmer upon the deaf adder. We ourselves, occupying the very station of polar opposition to that of Lamb, being as morbidly, perhaps,... | |
 | Thomas De Quincey - 1863 - 362 pages
...substratum in his nature, that Lamb had no sense of the rhythmical in prose composition. Rhythmus, or pomp of cadence, or sonorous ascent of clauses,...him as the voice of the charmer upon the deaf adder. We ourselves, occupying the very station of polar opposition to that of Lamb, being as morbidly, perhaps,... | |
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