The physics and psychophysics of music: an introduction
This book, a classic in its field, deals with the physical systems and physiological processes that intervene in music. It analyzes what objective, physical properties of sound are associated with what subjective psychological sensations of music, and it describes how these sound patterns are actually generated in musical instruments, how they propagate through the environment, and how they are detected by the ear and interpreted in the brain. Using the precise language of science, but without complicated mathematics, the author weaves a close mesh of the physics, psychophysics and physiology relevant to music. A prior knowledge of physics, mathematics, physiology or psychology is not required to understand most of the book; it is, however, assumed that the reader is familiar with music - in particular, with musical notation, musical scales and intervals, and some of the basics of musical instruments. This new edition has been substantially revised and brought up to date throughout.
26 pages matching maximum in this book
Results 1-3 of 26
What people are saying - Write a review
We haven't found any reviews in the usual places.
Sound Vibrations Pure Tones and
Sound Waves Acoustical Energy and
Generation of Musical Sounds Complex Tones
4 other sections not shown
acoustical air column amplitude auditory system basilar membrane bowing brain called cochlea complex tone component tones consonance corresponding critical band displacement eardrum effect elastic energy evoked excitation experiments fibers fifth Figure frequency difference function fundamental frequency given hemisphere increase inharmonic input intensity loudness maximum mechanism melody minor third missing fundamental musical instruments musical intervals musical message musical tones nervous system neural activity neurons octave order beats organ output perception period phase physical piano pipe pitch processor pitch sensation play Plomp position pressure variation propagation psychoacoustical psychophysical pure tones reed relation repetition rate represents resonance curve resonance peaks resonance regions response resulting scale sensory shown in Fig signals simple harmonic motion sinusoidal sound wave spatial spectrum standing waves stimulus string subjective pitch superposition synaptic threshold timbre tion tonal transverse wave tuning two-tone upper harmonics velocity vibration modes vibration pattern