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Part One How to Collect
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acquired applied art auctions art collecting art dealers art market artist artist-prints auction room Augustus John beautiful Bernard Cheese bleaching Bond Street book-plates bronze brush canvas carvings Chinese Christie's clean collector colour condition contemporary art copy Cornelius Varley damage drawing early eighteenth century England engraving etching example exhibition fake famous fetched frame gesso guineas illuminated manuscripts illustrations important inches investment ivory J. M. W. Turner John John Sell Cotman kind later lithographic London medium Messrs method mildew miniature Museum nineteenth century oil painting old masters original prints packing painter paper particular patina Paul Nash pencil perhaps picture piece pigment plate portraits produced provenance purchase reproduction restorer sale-room sculpture Sebastiano Ricci sell Sheffield City Art Sotheby's stretcher surface Tate Gallery technique tempera tinted tion Turner types of art usually varnish vellum wall Walter Sickert wash water-colour water-colourists whilst wood