An Account of the Musical Performances in Westminster-Abbey and the Pantheon, May 26th, 27th, 29th; and June the 3d, and 5th, 1784: In Commemoration of Handel |
Contents
Character of HANDEL as a Compofer | 39 |
Proposals for printing a complete Edition of his Works | 49 |
COMMEMORATION of HANDEL | 6 |
Copyright | |
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Abbey admiffion admirable almoſt anſwer ANTHEM art of fugue aſtoniſhed band baſe beſt celebrated Chorus cloſe COMMEMORATION OF HANDEL compofed compofition Concerto confiderable croud DETTINGEN TE DEUM Deum diſcovered effect Engliſh eſtabliſhed expreffion faid fame favour fays feems fhall fince fing fingers firſt folemn folo fome foon fubject fuch fugue fung fuperior furniſhed grand greateſt Hamburgh harmony harpsichord hautbois himſelf honour houſe inftruments ISRAEL IN EGYPT Italian king laſt leaſt leſs likewiſe Lord Majeſties manner maſter Matthefon meaſure Mifs moſt movement Mufic Muſic Muſicians muſt occafion opera Oratorio Orcheſtra Overture paffages perfons performance pleaſing pleaſure praiſe preſent profeffors publiſhed purpoſes rehearſal reſpect ſay ſecond ſeems Senefino ſet ſeveral ſhall ſhe ſhort ſhould Signor Sir Richard Jebb ſome ſpeak ſpecies ſpirit ſtage ſtate ſtill ſtrain ſtyle ſubject Subſcribers ſuch Tamerlano tenor themſelves theſe thoſe uſe uſual violin vocal voice Weſtminſter Weſtminſter-Abbey whoſe Windfor wiſh