The Dance Has Many Faces
A Capella Books, 1992 - Performing Arts - 273 pages
Insightful comments and observations about dance from leading dancers, choreographers, and dance scholars, including: George Balanchine, Frederick Ashton, Doris Humphrey, Charles Weidman, Erick Hawkins, Pauline Kroner, Deborah Jowitt, Gus Solomons Jr, Murray Louis and Stuart Hodes. Illustrated with performance photographs, the book illuminates every aspect of the world of dance and is an invaluable resource for students, dance lovers, and professionals.
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Rudolf von Laban
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abstract achieved aesthetic Alwin Nikolais artist audience avant-garde aware Balanchine's Bausch became become began body camera century Charles Weidman choreogra choreographers classical color comedy communication composer concert contemporary dance costumes created creation creative culture dance companies dance critic dance drama dancers developed director Doris Humphrey elements emotional Erick Hawkins experience expression feel Festival film French Gallotte George Balanchine gestures Helen Tamiris human idea important Isadora Duncan Jooss Koner Laban Labanotation live Martha Graham Mary Wigman Massine means ment Merce Cunningham mime modern dance move movement Negro never Opera painting pantomime performance piece Pina Bausch play possible produced realization rehearsal rhythm rhythmic Robbins scene score screen seems sense social sound space stage style symbols Symphony Tamiris Tanztheater technique television theater theatrical theme thing tion traditional videotape visual vocabulary York City Ballet