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MICHAEL ZEITLIN FAULKNER AND THE SCENE OF MlSRECOGNlTlON
JOHN N DUVALL WAS lKE BLACK?
MARGO CRAWFORD THE lNTERRAClAL EMBODlMENT OF CONTRADlCTlON
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Absalom African African-American American American South Beauchamp becomes blood body Buck castration characters Charles Bon Charles Etienne child Clytie Clytie's Compson consciousness cultural desire disgust dissmell dominant essay experience face fantasy father Faulkner fetishism Foucault's Freud Gavin Stevens human identity imaginary imagines interracialness Jim Bond Joanna Joe Christmas Joe's JOSEPH ADAMSON Judith Lacan Light in August lke's lsaac Lucas Lucas's male MARGO CRAWFORD McCaslin meconnaissance memory miscegenation Moses narration narrative Negro nigger novel outrage plotted narrative Popeye Quentin Quentin Compson race racial difference racist rape reading recognition relation relationship repetition representation represents Rider Rosa Rosa's Roth Sanctuary Sarty scene seems sense sexual sexual fetishism shame sharecroppers Shreve signifies slave Snopes Snopes's social society Sophonsiba South speaking story structure struggle Sutpen symbolic telling Temple Temple's Thomas Sutpen traumatic event Uncle lke violence white Southern William Faulkner York Zack