Bachelors

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MIT Press, 2000 - Art - 222 pages
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Since the 1970s Rosalind Krauss has been exploring the art of painters, sculptors, and photographers, examining the intersection of these artists concerns with the major currents of postwar visual culture: the question of the commodity, the status of the subject, issues of representation and abstraction, and the viability of individual media.These essays on nine women artists--gathered as Bachelors--are framed by the question, born of feminism, "What evaluative criteria can be applied to women's art?" In the case of surrealism, in particular, some have claimed that surrealist women artists must either redraw the lines of their practice or participate in the movement's misogyny. Krauss resists that claim, for these "bachelors" are artists whose expressive strategies challenge the very ideals of unity and mastery identified with masculinist aesthetics. Some of this work, such as the "part object" (Louise Bourgeois) or the "formless" (Cindy Sherman) could be said to find its power in strategies associated with such concepts as ecriture feminine. In the work of Agnes Martin, Eva Hesse, or Sherrie Levine, one can make the case that the power of the work can be revealed only by recourse to another type of logic altogether. Bachelors attempts to do justice to these and other artists (Claude Cahun, Dora Maar, Louise Lawler, Francesca Woodman) in the terms their works demand."

  

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Bachelors

User Review  - Not Available - Book Verdict

The esteemed Krauss (art, Columbia) is prominent in the field of deconstructionist, feminist, and psychoanalytical art criticism. This collection of her essays applies the theories to nine women ... Read full review

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You wish you could write like her (and get away with it). Read full review

Contents

Section 1
3
Section 2
51
Section 3
75
Section 4
91
Section 5
101
Section 6
161
Section 7
179
Section 8
191
Section 9
197
Section 10
207
Copyright

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About the author (2000)

Rosalind E. Krauss, University Professor at Columbia University and an editor and cofounder ofOctober magazine, is the author of The Originality of the Avant-Garde and Other ModernistMyths (1985), The Optical Unconscious (1993), The PicassoPapers (1999), and Bachelors (1999), all published by the MIT Press,and coauthor (with Yve-Alain Bois) of Formless: A User's Guide (Zone Books,1997).

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