Emily Dickinson: A Collection of Critical Essays

Front Cover
Judith Farr
Prentice Hall, 1996 - Literary Criticism - 268 pages
44 Reviews

A truly useful collection of literary criticism on a widely studied author, this collection of essays, selected and introduced by a distinguished scholar, makes the most informative and provocative critical work easily available to the general public. KEY TOPICS: Offers volumes of the same excellence for the contemporary moment. Captures and makes accessible the most stimulating critical writing of our time on a crucial literary figure of the past. Also included is an introduction to the author's life and work, a chronology of important dates, and a selected bibliography.

From inside the book

What people are saying - Write a review

User ratings

5 stars
21
4 stars
13
3 stars
6
2 stars
2
1 star
2

Review: Selected Poems

User Review  - Kelly - Goodreads

Not my copy, but that's fine. I've read Dickinson all the same. Read full review

Review: Selected Poems

User Review  - Sara Bakker - Goodreads

Just to confirm her saying: “If I read a book and it makes my whole body so cold no fire can ever warm me, I know that is poetry.” It is all breath taking, It is so deep , taking you worlds, giving ... Read full review

Contents

Introduction
1
Emily Dickinson and
20
Emily Dickinsons Books and Reading
40
Copyright

16 other sections not shown

Common terms and phrases

About the author (1996)

Emily Dickinson was born in Amherst, Massachusetts on December 10, 1830. Although one of America's most acclaimed poets, the bulk of her work was not published until well after her death on May 15, 1886. The few poems published in her lifetime were not received with any great fanfare. After her death, Dickinson's sister Lavinia found over 1,700 poems Emily had written and stashed away in a drawer -- the accumulation of a life's obsession with words. Critics have agreed that Dickinson's poetry was well ahead of its time. Today she is considered one of the best poets of the English language. Except for a year spent at Mount Holyoke Female Seminary in South Hadley, Dickinson spent her entire life in the family home in Amherst, Massachusetts. She never married and began to withdraw from society, eventually becoming a recluse. Dickinson's poetry engages the reader and requires his or her participation. Full of highly charged metaphors, her free verse and choice of words are best understood when read aloud. Dickinson's punctuation and capitalization, not orthodox by Victorian standards and called "spasmodic" by her critics, give greater emphasis to her meanings.

Bibliographic information