Jane Austen, Or, The Secret of Style

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Princeton University Press, 2003 - Literary Criticism - 108 pages
2 Reviews

What is the world-historical importance of Jane Austen? An old maid writes with the detachment of a god. Here, the stigmatized condition of a spinster; there, a writer's unequalled display of absolute, impersonal authority. In between, the secret work of Austen's style: to keep at bay the social doom that would follow if she ever wrote as the person she is.

For no Jane Austen could ever appear in Jane Austen. Amid happy wives and pathetic old maids, we see no successfully unmarried woman, and, despite the multitude of girls seeking to acquire "accomplishments," no artist either. What does appear is a ghostly No One, a narrative voice unmarked by age, gender, marital status, all the particulars that make a person--and might make a person peculiar. The Austen heroine must suppress her wit to become the one and not the other, to become, that is, a person fit to be tied in a conjugal knot. But for herself, Austen refuses personhood, with all its constraints and needs, and disappears into the sourceless anonymity of her style. Though often treasured for its universality, that style marks the specific impasse of a writer whose self-representation is impossible without the prospect of shame.

D.A. Miller argues this case not only through the close reading that Austen's style always demands, but also through the close writing, the slavish imitation, that it sometimes inspires.

  

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Review: Jane Austen, or the Secret of Style

User Review  - Jee Koh - Goodreads

Miller's book-length essay is a delightful and thought-provoking read. Its thesis is that the heart of Austen's style lies in "a failed, or refused, but in any case shameful relation to the conjugal ... Read full review

Review: Jane Austen, or the Secret of Style

User Review  - Nina - Goodreads

I learned a lot about DA Miller and a little about Austen's work. Read full review

Contents

Secret Love
1
No One Is Alone
31
Broken Art
57
Afterimage
93
Notes
95
Copyright

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About the author (2003)

D. A. Miller is John F. Hotchkis Professor of English at the University of California, Berkeley.

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