Gender and performance in Shakespeare's problem comedies
"This is exactly the kind of work, with its synthesis of theory, close reading, and deconstructive performance criticism that many of us in the profession have been looking for." -- Joel B. Altman, University of California, Berkeley "McCandless's book represents an inventive and illuminating account that not only produces a theoretically activated text but also explores a range of options for staging it, turning theoretical into theatrical meanings." -- Barbara Hodgdon, Drake University "The writing is clear, snappy, wonderfully informed with a vivid and experienced theatrical imagination... a book that taught me a good deal about the problem comedies, especially from the vantage point of performance, though the insights into performance are fully and incisively integrated with, and they richly illuminate, formal, thematic, and psychological vantage points on the play." -- Richard P. Wheeler, University of Illinois Composed at a critical moment in English history, All's Well That Ends Well, Measure for Measure, and Troilus and Cressida -- Shakespeare's problem plays -- dramatize a crisis in the sex-gender system. They register a male dread of emasculation and engulfment, a fear of female authority and sexuality. In these plays males identify desire for a female as dangerous and unmanly, females contend and confound traditional femininity. David McCandless's book is a unique and invigorating example of performance criticism that illuminates these difficult, sometimes-overlooked tragicomedies. It is an original and timely contribution to Shakespearean theater scholarship.
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The Visual Miscellaneum: A Colorful Guide to the World's Most Consequential ...
No preview available - 2009
Alls Well That Ends Well
Measure for Measure
Troilus and Cressida
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Achilles actor actress affirms All's Angelo asserts attempt audience becomes Bertram body character chastity Claudio coherent construct criticism cross-dressing cultural deconstruct desexualized desired object Diana difference Diomedes director dramatize Duke Duke's effect effeminacy emasculation enactment erotic essay essentially evokes fantasy father female sexuality female subject feminine feminist gestus feminized figure Flagellation function gaze gender gestic Hector Helena implicitly Isabella Juliet King Lacan lack Lavatch liminal lover Lucio Male Subjectivity Mariana marriage masculine masochistic maternal meaning Measure for Measure mirror narrative negation notorious identity oedipal plot Pandarus Parolles patriarchal Patroclus performance phallic phallocentric phallus play play's final scene position problem comedies production provocative punishment resistance resisting comic role sadistic sadomasochism sadomasochistic seductive seems Shakespeare Quarterly signifier simply speak spectacle spectators speech staged bed-trick status suggests superego symbolic textual theater theatrical Thersites tion Troilus and Cressida Trojan turning Ulysses underline virginity warriors woman women York