Seven Discourses Delivered in the Royal Academy

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BiblioBazaar, 2010 - 154 pages
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This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

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About the author (2010)

Sir Joshua Reynolds was the most influential and important painter of Georgian England, the first president of the Royal Academy, and, so to speak, the greatest establishment figure in English art. Born into a cultured family (unlike most artists of his day), he was a learned man, in touch with the leading literary figures of the time, Samuel Johnson (see Vol. 1) among them. He received thorough training in Italy (1750--52), where he studied the works of Michelangelo, Raphael, and Titian. He thus became a confirmed neoclassicist, but some influences from the baroque style of Rubens are also discernible. His Discourses, held at the Royal Academy and widely disseminated in print, are the most important documents of eighteenth-century classicism in art and exercised great influence. As a painter, Reynolds excelled in portraiture. Many members of the high aristocracy of his time were painted by him in the grand manner, which he combined with subtlety and sensitivity. His technique was often faulty, and many of his pictures have cracked or lost much of their color. He was extraordinarily prolific until blindness struck him in his last year.

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