Songs of Subjectivities: Theorizing Hollywood Film Music of the 80s and 90s |
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American American Graffiti analysis argued art music assimilation associations audience Baroque Baroque music Burbank classical Hollywood scoring communication contemporary continuum critiques cues cultural studies defined describe Desert Hearts dialogue diegetic Dirty Dancing discussed dissertation dramatic scoring emotion ethnic example female characters feminist film theory film music film music scholarship film scores film studies film's function gender genre Gorbman Hacker Hunt for Red identification processes ideology issues jazz Kalinak Kassabian kind language Lauretis Lethal Weapon listeners male meaning museme musical discourse musicology narrative world nationalism particular perceivers pleasure pop scores popular music popular music studies possible production psychoanalytic film theory questions race Red October relations relationship Riggs rock scene semiotic sense sequence sexuality signifies social songs sound soundtrack source music source scoring spectator spectatorship Stockfelt subject position suggests television Thelma and Louise theme theoretical theorists tonal unconscious visual Warner Home Video women