Alexandra Chasin’s remarkable stories employ forms as diverse as cryptograms (in "ELENA=AGAIN") and sentence diagrams (in "Toward a Grammar of Guilt") to display her interest in fiction as al form constituted by print on the page, every bit as much as poetry.
In "They Come From Mars," the words are arrayed on the page like troops, embodying the xenophobic image of invading armies of immigrant and illegal aliens that animates the narrative. One story incorporates personal ads ("Lynette, Your Uniqueness"), another is organized alphabetically ("2 Alphabets"), while another leaves sentences unfinished ("Composer and I"). A number of stories take metafictional turns, calling attention to the process of writing itself. The last piece in the collection plays with genre distinctions, including an index of first lines and a general index. Set in New York, New England, Paris, and Morocco, these tales are narrated by men and women, old and young, gay, straight, and bisexual; one narrator is not a person at all, but a work of art. Each of these deft, playful, and sometimes anarchic fictions is different from the others,
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Review: Kissed ByUser Review - MJ Nicholls - Goodreads
Read the first four stories, browsed the rest. Interesting inventor of quirky forms, only the voice/style held very little appeal for me, falling into the somewhat smug and MFA-literary category. Read full review
Review: Kissed ByUser Review - Goodreads
This reconfirms that there's no one genre called experimental; that there is exploratory prose; and that it can be humourous and well-written.
The Mystery of Which Mystery
Lynette Your Uniqueness
Potatoes You Ask
all kinds of people on the Q train
B G I
Why Im Jealous
Who Writes This Shit?
Composer and I
They Come From Mars
Please Compose Your Photographs More Carefully
So What Elapses?
Toward a Grammar of Guilt
Kant Get Enough