Elizabethan Drama, 1558-1642: A History of the Drama in England from the Accession of Queen Elizabeth to the Closing of the Theaters, to which is Prefixed a Résumé of the Earlier Drama from Its Beginnings, Volume 1 (Google eBook)
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acted actors allusion already authorship Beaumont Ben Jonson Chapman character Children of Paul's chronicle play classical Collier comedy of manners contemporary court death Dekker Devil dialogue domestic drama dramatist Duke earlier earliest early Eastward Hoe Edward Elizabeth Elizabethan drama England English drama Euphuism extant Fleay Fletcher Gorboduc Hamlet Henslowe Henslowe's heroical Heywood Humor Ibid influence interest interlude intrigue Italian John Jonson King Lady later Latin less Locrine London Lord Lyly Lyly's Maid Marlowe Marlowe's Marston masque master mentioned Middleton miracle play Modern morality murder passion performance personages Plautus players playwrights plot poet poetry popular Prince printed production quarto Queen reign Revels revenge Richard romantic drama Rowley royal satire scene Senecan Shake Shakespeare Spanish Tragedy speare's spirit stage story Tamburlaine theaters theme Thomas tion Titus Titus Andronicus tragic translation underplot Volpone wife William Rowley written
Page 489 - Nay, their endeavour keeps in the wonted pace : but there is, sir, an aery of children, little eyases, that cry out on the top of question, and are most tyrannically clapped for 't : these are now the fashion, and so berattle the common stages— so they call them— that many wearing rapiers are afraid of goose-quills and dare scarce come thither.
Page 537 - The third requisite in our poet, or maker, is imitation: to be able to convert the substance or riches of another poet to his own use. To make choice of one excellent man above the rest, and so to follow him till he grow very he, or so like him as the copy may be mistaken for the principal.
Page 490 - O that Ben Jonson is a pestilent fellow ; he brought up Horace, giving the poets a pill ; but our fellow Shakespeare hath given him a purge, that made him bewray his credit.
Page 222 - I have been told by some anciently conversant with the stage, that it was not originally his, but brought by a private author to be acted, and he only gave some master-touches to one or two of the principal parts or characters...
Page 226 - From jigging veins of rhyming mother wits, And such conceits as clownage keeps in pay, We'll lead you to the stately tent of war, Where you shall hear the Scythian Tamburlaine Threatening the world with high astounding terms, And scourging kingdoms with his conquering sword.
Page 490 - Few of the university pen plays well; they smell too much of that writer Ovid and that writer Metamorphosis, and talk too much of Proserpina and Jupiter. Why, here's our fellow Shakespeare puts them all down, aye, and Ben Jonson too.
Page 288 - The Famous History of Sir Thomas Wyat. With the Coronation of Queen Mary, and the coming in of King Philip.
Page 113 - In comedies the greatest skill is this, rightly to touch All things to the quick ; and eke to frame each person so, That by his common talk you may his nature rightly know : A roister ought not preach, that were too strange to hear, But as from virtue he doth swerve, so ought his words appear : The old man is sober, the young man rash, the lover triumphing in joys. The matron grave, the harlot wild, and full of wanton toys.