Shakespeare's Styles: Essays in Honour of Kenneth Muir
Although Shakespeare is acknowledged to be one of the greatest masters of language the world has known, there are very few books among the thousands devoted to his work which attempt to deal directly with how he uses language. No single book could deal with the 'infinite variety' of tone, diction, imagery, rhythm, and so on which together make up Shakespeare's different styles. But the editors of this book asked a number of distinguished Shakespearian scholars to give an account of what seemed to him or her some particularly interesting and important feature of Shakespeare's use of language. Using a quotation from Shakespeare as a starting point, some authors have focussed their discussion on individual plays; others have ranged more widely under general headings, such as bombast, rhetoric or paradox. The cumulative effect will enable readers, students and theatre-goers to come to a greater awareness of the richness and subtlety of 'Shakespeare's styles'. The three editors are senior Shakespeare critics and scholars and they have all been close associates of Professor Kenneth Muir. It was to honour the life-long devotion of Kenneth Muir to the study of Shakespeare, and to pay a tribute to the inspiration and help which he has given to those who have worked with him, that his new book was devised.
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Poem and context in Loves Labours Lost
The declaration of love
Language most shows a man ? Language and speaker
Antony and Cleopatra 1i124
the language of recognition
language and speaker in Shakespeares Last
The defence of paradox
some offstage conversations in Shake
Caliban as a Red
a question of identity
Checklist of writings by Kenneth Muir 19371979
Antony and Cleopatra Arden audience Banquo Berowne bombast Caesar Caliban character comedy context Cressida criticism crow Cymbeline Dark Lady dead death dialogue Dr Rowse dramatist Duke edition effect Emilia Emilia Lanier essay expression false Falstaff fool give Hamlet hath hear Henry Henry VI Hermione honour Jonson's Juliet Kenneth Muir King Lear Lady Macbeth lago language Last Plays Leontes lines literary live London look lord Love's Labour's Lost lovers Lysimachus Marina Marlowe Marlowe's meaning mind mistress murder nature never Nurse Othello paradox passages Perdita Pericles Pericles's Philo plot poem poet poetic poetry Polixenes Prince prose Prospero question recognition rhetoric Richard Richard II Romeo scene seems sense Shake Shakespeare Shakespearian soliloquy Sonnets speak speaker spirits style stylistic suggest tell Tempest theatre thee things thou tragedy Troilus true truth utterance Venus and Adonis verbal verse Winter's Tale wonder words