Painting American: The Rise of American Artists, Paris 1867-New York 1948
Shortly after the Civil War, a resurgent America strode brashly onto the hallowed ground of the Paris salon to present its most distinguished painters in the Exposition Universelle of 1867. Their offereings included majestic Western waterfalls, magnificent portraits, sprawling landscapes--the cream of a nation ready to assert itself culturally as it had begun to do so economically. The Americans sat back to bask in anticipated applause.
But their confidence would be shattered when the luminaries of the French Academy condemned the spectacle as being unworthy of the great nation that had produced it. The rebuke provoked widespread soulsearching in America: Why was the land of Melville and Poe unable to produce paintings of comparable power? How was it to claim a place among nations producing art of real consequence?
In this magnificent historical panorama, Annie Cohen-Solal shows how American pragmatism furnished the solution: Learn from the best. The French were then the undisputed masters of painting, and so to France the Americans went in hordes, apprenticing themselves in the studios of reknowned masters--Gérôme, Cabanel, and others--or founding colonies such as the legendary one at Pont-Aven. From the seeds of their individual efforts would grow an extraordinary crop, one that included not only the great--Whistler, Cassatt, Sargent--but a legion of artists of all ranks who collectively pushed forward a bold new American enterprise. In two generations, Paris would be eclipsed, and the greatest French artists would begin coming to New York to be at the new center of everything.
Meticulously researched and presented as a captivating story, this book tells the saga of the rise of American artists as we have never had it before: a surging transatlatic ebb and flow of cultural energies, driven by innumberable fascinating individuals--painters, collectors, critics, titans of industry--some of them now famous, others forgotten. Informed throughout by the author's unique perspective as a scholar, a writer, and a cultural diplomat, Painting American offers an utterly new understanding of one of the greatest changes in cultural history.
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Painting American: the rise of American artists, Paris 1867-New York 1948User Review - Book Verdict
Translated from the French original, this engagingly written book offers a broad overview of the shift of artistic center from Paris to New York throughout the late 19th and early 20th centuries. Cohen-Solal, a literary historian and former French cultural attach in New York, has written a biography of Sartre, but this is her first book on art history. She provides a fresh perspective on American art and a more anecdotal prequel to Serge Guilbaut's more academic How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom, and the Cold War (LJ 3/1/84). Although she relies substantially on secondary sources, Cohen-Solal has done a good amount of reading beyond the obvious, and her observations generally ring true. Recommended for general audiences and as a useful overview for academics. Jack Perry Brown, Art Inst. of Chicago Libs. ...
Review: Painting American: The Rise of American Artists, Paris 1867-New York 1948User Review - Jackie - Goodreads
i started this book eons ago...and am still reading it! i relish the close up of the period... it feels like yesterday! Read full review
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