Jesus Dub: Theology, Music and Social Change
Robert Beckford explores the dialogue between two central institutions in African Caribbean life: the church and the dancehall. He highlights how Dub – one of the central features of dancehall culture – can be mobilized as a framework for re-evaluating theology, taking apart doctrine and reconstructing it under the influence of a guiding theme.
Engaging with the social and cultural heritage that informs Christian African Caribbean culture, including the influence of slavery, Revival Christianity and working class Jamaican life, Black theology and music ranging from post-war Sound System to American Hip Hop, Jesus Dub is a detailed exploration of how throughout history, music and faith have been transformed in response to racialised oppression. Finally, Beckford demonstrates that dub style appears in the teachings of Jesus, and that Dub is a tool which can provide new ways of envisaging and practising spiritual gifts and financial giving, proposing a more inclusive theology for everyone.
What people are saying - Write a review
Jesus Is Dread: Black Theology and Black Culture in Britain
No preview available - 1998
Dread and Pentecostal: A Political Theology for the Black Church in Britain
No preview available - 2000
God and the Gangs: An Urban Toolkit for Those who Won't be Sold Out, Bought ...
No preview available - 2004