The Shock of the NewAn illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Page 177
... Walter Gropius's phrase - cannot be understood , either as an ideal or a real set - up , outside its framework of mystical Expressionism . But there were single architects too whom the official histories of modernist architecture have ...
... Walter Gropius's phrase - cannot be understood , either as an ideal or a real set - up , outside its framework of mystical Expressionism . But there were single architects too whom the official histories of modernist architecture have ...
Page 192
... Walter Gropius ( 1883-1969 ) , two older Weimar institutions were fused . One was the Grand Ducal Academy of Art , dating from the mid - eighteenth century ; the other was a much newer affair , the Arts and Crafts School , set up in ...
... Walter Gropius ( 1883-1969 ) , two older Weimar institutions were fused . One was the Grand Ducal Academy of Art , dating from the mid - eighteenth century ; the other was a much newer affair , the Arts and Crafts School , set up in ...
Page 196
Robert Hughes. 132 Walter Gropius and Adolf Meyer The Fagus Shoe - last Factory , Allfeld - an - der - Leine 1911 ( photo RIBA , London ) 133 Walter Gropius and Adolf Meyer Sommerfeld House , Berlin 1920 Bauhaus Archiv , Berlin 內 135 ...
Robert Hughes. 132 Walter Gropius and Adolf Meyer The Fagus Shoe - last Factory , Allfeld - an - der - Leine 1911 ( photo RIBA , London ) 133 Walter Gropius and Adolf Meyer Sommerfeld House , Berlin 1920 Bauhaus Archiv , Berlin 內 135 ...
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abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York