The Cambridge Companion to Recorded Music
Cambridge University Press, Nov 26, 2009 - Music - 359 pages
From the cylinder to the download, the practice of music has been radically transformed by the development of recording and playback technologies. This 2009 Companion provides a detailed overview of the transformation, encompassing both classical and popular music. Topics covered include the history of recording technology and the businesses built on it; the impact of recording on performance styles; studio practices, viewed from the perspectives of performer, producer and engineer; and approaches to the study of recordings. The main chapters are interspersed by 'short takes' - short contributions by different practitioners, ranging from classical or pop producers and performers to record collectors. Combining basic information with a variety of perspectives on records and recordings, this book will appeal not only to students in a range of subjects from music to the media, but also to general readers interested in a fundamental yet insufficiently understood dimension of musical culture.
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CHARM: CHARM publications
In: The Cambridge Companion to Recorded Music, eds. Eric Clarke, Nicholas Cook, Daniel Leech-Wilkinson and John Rink (Cambridge: Cambridge University Press, ...
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