Site and Sound: Understanding Independent Music Scenes
Site and Sound: Understanding Independent Music Scenes examines how independent pop and rock music scenes of the 1980s and 1990s were constituted within social and geographical spaces. Those active in the production and consumption of « indie pop and rock music thought of their practices as largely independent of the music mainstream - even though some acts recorded for major labels. This book explores the web of personal, social, historical, geographical, cultural, and economic practices and relationships involved in the production and consumption of « indie music.
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Telling the Story of Independent Music
Producing Independent Music
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16 July 19 December 1980s and early acts Adam Schmitt airplay album Alias alternative music alternative rock artists Athens audience August authenticity Billboard Bourdieu Camper Van Beethoven Champaign Champaign-Urbana charts clubs college music college radio college radio stations college stations distribution distributors economic employees format genre Geoff Merritt important independent labels independent music independent pop/rock music independent record labels indie labels indie music scenes indie pop indie pop/rock music interlocal KALX KFJC KUSF localities located major labels music culture music director music production music scene participants musical practices musicians narrative networks Nirvana Parasol personal interview play pop music pop/rock music scenes popular music promotion punk punk rock Racho record companies record labels Record Service Record Swap releases retail rock and pop rock music rock/pop Rough Trade San Francisco sell signed Sneetches sound specific structures Sub Pop tion tour venues WPGU