Color for Interior Architecture
Color for Interior Architecture examines the major considerations involved in color choice for interior spaces. Avoiding arbitrary rules and rigid formulas, this unique reference enables readers to gain a fundamental understanding and awareness of color that can be applied to virtually any design situation. The book brings together theory and practice in an accessible, user-friendly format--providing interior designers, architects, and students with the straightforward help they need to create color settings that satisfy the eye, the mind, and the spirit.
Targets key topics for interior design--including the influence of color on the apparent depth and proportions of a space, the effect of lighting systems and natural light on color, hue combinations, and more
* Supplies a working knowledge of how the eye perceives color and develops the ability to make fine color discriminations
* Examines the basic physical properties and symbolic significance of color in clear, nontechnical terms
* Contains important exercises and experiments to help readers make the conceptual leap from the design studio to real-world interiors
* Includes a 32-page full-color insert, with color palettes, pattern analyses, and photographs of interiors
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WHAT IS COLOR?
THE DYNAMICS OF INTERIOR COLC
DEPTH CUES LEGIBILITY AND ILLUSION
SEEING COLOR AND WHAT IS COLORED
OPTICAL INTERACTIONS AMONG COLORS
HARMONIC RELATIONSHIPS OF HUES
THE RELATIONSHIP BETWEEN SURFACE COLOR AND LIGHT
Advancing color afterimage areas Arnheim background color basic hues Bluish Red ceiling Color Art color theory colors appear combinations complement complementary hues complex consonant cool create cyan dark darker daylight depth plane dissonant distance dominant DYNAMICS EARTH COLOR edge effects element enclosure environment fabric flat floor foot-candles Fundamental primary furniture ganglion ganglion cells gray green HUE RELATIONSHIPS illumination illusion interior color interior space interior surfaces intermix intermixture Lawrence Technological University leading hues leading tone light reflected light source lighter magenta Mahnke and Mahnke Mary Miller motifs movement neutral objects optical OPTICAL ART orange Orange-red overlapping pattern perceived pigment purple receding color Reddish Blue Reddish Yellow Reprinted with permission retina Robert Irwin saturation levels scale secondary hues shade shadow simultaneous contrast spectral hues structure sunlight surface color symbolic texture thalo tints tones transparent value and saturation Violet-blue vision visual field vivid wallpaper warm wavelengths Yellowish Blue Yellowish Red