Brecht in PerspectiveGraham Bartram, Anthony Edward Waine |
Contents
a theatre for the scientific | 30 |
4 | 45 |
Comedy and the Volksstück M MCGOWAN | 63 |
Copyright | |
7 other sections not shown
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acting action actors aesthetic alienation artistic attitude audience avant-garde behaviour Berliner Ensemble Bertolt Brecht bourgeois Brecht's plays Brecht's theatre Brechtian cabaret capitalist Caucasian Chalk Circle character classical comedy comic commitment Communist concept contemporary critical cultural democratic dialectical director drama dramatist economic effect emotions English theatre epic theatre Erwin Piscator essay Expressionism Expressionist fact film Frankfurt Gaskill genre German theatre hero Herr Puntila historical human individual intellectuals left-wing literary literature London Mann Marxist mass Matti Mensch modern moral Mother Courage movement Munich naturalistic nature Nazi parable Party performed Peter Hacks Peter Weiss Piscator Piscator's playwrights political theatre popular present problems production radical realistic reality rehearsal Reich Reinhardt revolution revolutionary role scene Schwejk social socialist society songs spectator stage Stanislavsky style techniques theatrical theory tion Toller traditional tragedy Tynan Volk Volksbühne Volksstück Wedekind Weimar Republic William Gaskill workers writers