My Mother Was a Computer: Digital Subjects and Literary Texts

Front Cover
University of Chicago Press, Oct 15, 2005 - Computers - 290 pages
3 Reviews
We live in a world, according to N. Katherine Hayles, where new languages are constantly emerging, proliferating, and fading into obsolescence. These are languages of our own making: the programming languages written in code for the intelligent machines we call computers. Hayles's latest exploration provides an exciting new way of understanding the relations between code and language and considers how their interactions have affected creative, technological, and artistic practices.

My Mother Was a Computer explores how the impact of code on everyday life has become comparable to that of speech and writing: language and code have grown more entangled, the lines that once separated humans from machines, analog from digital, and old technologies from new ones have become blurred. My Mother Was a Computer gives us the tools necessary to make sense of these complex relationships. Hayles argues that we live in an age of intermediation that challenges our ideas about language, subjectivity, literary objects, and textuality. This process of intermediation takes place where digital media interact with cultural practices associated with older media, and here Hayles sharply portrays such interactions: how code differs from speech; how electronic text differs from print; the effects of digital media on the idea of the self; the effects of digitality on printed books; our conceptions of computers as living beings; the possibility that human consciousness itself might be computational; and the subjective cosmology wherein humans see the universe through the lens of their own digital age.

We are the children of computers in more than one sense, and no critic has done more than N. Katherine Hayles to explain how these technologies define us and our culture. Heady and provocative, My Mother Was a Computer will be judged as her best work yet.
  

What people are saying - Write a review

Review: My Mother Was a Computer: Digital Subjects and Literary Texts

User Review  - Tbfrank - Goodreads

I have made two attempts to read this book and have been unable to get beyond forty pages. Despite the intriguing title, the work is oriented to an academic audience. The continual reference to work ... Read full review

Review: My Mother Was a Computer: Digital Subjects and Literary Texts

User Review  - Steen Christiansen - Goodreads

As always, an immensely ambitious and successful work on who and what we are as a species. Also as always, I find Hayles' theoretical work more fascinating than her readings, yet her readings are still strong. Read full review

Contents

Intermediation Textuality and the Regime of Computation
15
Speech Writing Code Three Worldviews
39
The Dream of Information Escape and Constraint in the Bodies of Three Fictions
62
STORING Print and Etext
87
Translating Media
89
Performative Code and Figurative Language Neal Stephensons Cryptonomicon
117
Flickering Connectivities in Shelley Jacksons Patchwork Girl
143
TRANSMITTING Analog and Digital
169
Unmasking the Agent Stanislaw Lems The Mask
171
Simulating Narratives What Virtual Creatures Can Teach Us
193
Subjective Cosmology and the Regime of Computation Intermediation in Greg Egans Fiction
214
Recursion and Emergence
241
Notes
245
Works Cited
265
Index
279
Copyright

Common terms and phrases

References to this book

All Book Search results »

About the author (2005)

N. Katherine Hayles is the John Charles Hillis Professor of Literature at the University of California, Los Angeles. She is the author of three books, including How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics, and the editor of Chaos and Order: Complex Dynamics in Literature and Science, both published by the University of Chicago Press.


Bibliographic information